Adrienne Arsht Center tickets 16 October 2026 - Fall Mix | GoComGo.com

Fall Mix

Adrienne Arsht Center, Ziff Ballet Opera House, Miami, USA
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7:30 PM
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US$ 167

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Important Info
Type: Ballet
City: Miami, USA
Starts at: 19:30
Duration: 16min

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Cast
Performers
Ballet company: Miami City Ballet
Orchestra: Miami City Ballet Orchestra
Creators
Composer: Pyotr Tchaikovsky
Choreographer: Jerome Robbins
Composer: Robert Prince
Choreographer: George Balanchine
Overview

The evening opens with George Balanchine's Allegro Brillante, a sparkling display of athleticism, musicality, and neoclassical brilliance. Set to Tchaikovsky's vibrant Piano Concerto No. 3, the ballet showcases Balanchine's signature fusion of technical virtuosity and pure dance.

The program continues with a world premiere by former Miami City Ballet Principal Dancer Patricia Delgado. Returning to her hometown roots, Delgado brings her distinctive artistic voice and deep musical sensitivity to a new work that celebrates her enduring connection to Miami and the company.

Concluding the evening is the company premiere of Jerome Robbins' groundbreaking N.Y. Export: Opus Jazz. Inspired by the energy of 1950s urban America, this landmark ballet blends the rhythms of jazz with classical technique, creating a bold, dynamic portrait of youthful vitality and the spirit of a changing generation.

George Balanchine called the exuberant Allegro Brillante “everything I know about classical ballet in thirteen minutes.”

One of George Balanchine’s most joyous, pure dance pieces, Allegro Brillante is characterized by what Maria Tallchief — the ballerina on whom the bravura leading role was created — called "an expansive Russian romanticism." The ballet is set to Tschaikovsky's Piano Concerto No. 3, a work that the composer created from sketches for a composition that was intended to be his Sixth Symphony, but which instead served as a single movement work which was published posthumously in 1894. Balanchine described this ballet as a concentrated essay in the extended classical vocabulary, in which a maximum amount of choreographic development is contained within a rather restricted area of time and space.

World Premiere marks an exciting new chapter in the creative journey of choreographer Patricia Delgado, whose artistry has flourished from her beginnings as a celebrated principal dancer to her emergence as a distinctive choreographic voice. Created for Miami City Ballet, this new work reflects Delgado's deep connection to music, movement, and the community that helped shape her career.

Known for her exceptional musicality and expressive sensitivity as a performer, Delgado brings those same qualities to her choreography, crafting movement that is both emotionally resonant and visually compelling. Drawing on her rich artistic experiences, she creates a ballet that celebrates the power of dance to communicate beyond words, revealing moments of intimacy, connection, and transformation.

Returning to Miami as a choreographer carries special significance for Delgado, whose artistic roots are deeply intertwined with the city and the company. This world premiere offers audiences an opportunity to experience a fresh creative perspective while honoring the enduring relationship between artist and home.

Combining contemporary insight with classical refinement, the ballet showcases Miami City Ballet's versatility and commitment to nurturing new artistic voices. As Delgado continues to expand her choreographic career, this premiere stands as a testament to her evolving vision and her ability to create work that speaks with both elegance and authenticity.

Jerome Robbins' N.Y. Export: Opus Jazz is a landmark ballet that brings the energy of New York City and the spirit of American youth to the stage. Set to Robert Prince's vibrant jazz score, the work combines classical ballet with jazz-inspired movement in a series of dynamic, theatrical scenes that celebrate friendship, romance, and youthful vitality.

Created in 1958 by legendary choreographer Jerome Robbins, N.Y. Export: Opus Jazz is a groundbreaking ballet that captures the vitality, energy, and spirit of urban American youth. Set to an original jazz score by Robert Prince, the work marked a bold departure from traditional ballet themes, bringing contemporary life and popular culture to the concert stage.

Inspired by the streets of New York City, Robbins crafted a series of episodic scenes that explore friendship, romance, rivalry, and youthful self-expression. Rather than telling a single narrative, the ballet presents vivid snapshots of everyday experiences, portraying young people navigating the excitement and challenges of adolescence in postwar America.

Robbins seamlessly blends classical ballet technique with the rhythms, attitudes, and movement styles of jazz and social dance. The result is a work that feels both sophisticated and spontaneous, combining technical precision with an atmosphere of freedom and authenticity. Robert Prince's vibrant score provides the perfect musical counterpart, infusing the ballet with irresistible energy and a distinctly American character.

Widely regarded as one of Robbins' most innovative creations, N.Y. Export: Opus Jazz helped expand the possibilities of ballet by embracing contemporary themes and movement vocabulary. More than six decades after its premiere, the work remains fresh, exhilarating, and deeply influential—a celebration of youth, individuality, and the dynamic pulse of city life.

History
Premiere of this production: 01 March 1956, City Center of Music and Drama, New York

Allegro Brillante is characterized by what Maria Tallchief (the ballerina on whom the bravura leading role was created) calls “an expansive Russian romanticism.” The music’s vigorous pace makes the steps appear even more difficult, but the ballet relies on strong dancing, precise timing, and breadth of gesture. Balanchine said: “It contains everything I know about the classical ballet in 13 minutes.”

Venue Info

Adrienne Arsht Center - Miami
Location   1300 Biscayne Blvd

The Adrienne Arsht Center for the Performing Arts is a performing arts center located in Miami, Florida. It is one of the largest performing arts centers in the United States.

The Center opened as the Carnival Center on October 5, 2006, with performers, politicians and, movie stars attending, including Gloria Estefan, Jeb Bush, Andy García, and Bernadette Peters.

On January 10, 2008, it was announced that philanthropist and business leader Adrienne Arsht donated $30 million to the facility that would make it financially stable. In recognition for the gift, the former Carnival Center for the Performing Arts was renamed "The Adrienne Arsht Center for the Performing Arts of Miami-Dade County," or the Arsht Center for short.

In December 2008, M. John Richard joined the center as president and CEO after more than 20 years at the New Jersey Performing Arts Center (NJPAC).

Founded in 2011, the Town Square Neighborhood Development Corporation (“TSNDC”) was planned to oversee the development of the Arsht Center district. TSNDC's volunteer board: Armando Codina, chairman of Codina Partners, as chair; Manny Diaz, former City of Miami mayor, as vice chair; Michael Eidson, chairman of the Performing Arts Center Trust Board of Directors and partner of the South Florida law firm Colson Hicks Eidson, as treasurer; and Parker Thomson, founding chair of the Performing Arts Center Trust Board of Directors, as secretary. In 2019, Johann Zietsman succeeded John Richard as president and CEO after ten years in the same role at Arts Commons in Calgary.

Interior of the concert hall
The center was designed by César Pelli and occupies two 570,000 square feet (53,000 m2) sites straddling Biscayne Boulevard connected by a pedestrian bridge. Acoustics were designed by Russell Johnson of Artec Consultants company. He also worked on the Meyerson Symphony Center in Dallas.

There are three main venues all of which can be rented for event space by the public:

  • The Sanford and Dolores Ziff Ballet Opera House seats 2,400.
  • The John S. and James L. Knight Concert Hall seats 2,200. Its stage extends into the audience and there is seating behind the stage for 200 additional spectators or a chorus. The orchestra level can be transformed into a "Grand Ballroom" with a festival floor configuration for dining and dancing for up to 850 people. The floor is installed over the seats.
  • Carnival Studio Theater is a flexible black-box space designed for up to 250 seats.

In addition, there are two smaller multi-purpose venues:

  • The Peacock Rehearsal Studio holds 270 people.
  • Parker and Vann Thomson Plaza for the Arts is an outdoor social and performance space linking the two main houses across Biscayne Blvd.
Important Info
Type: Ballet
City: Miami, USA
Starts at: 19:30
Duration: 16min
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