Premiere
Nabucco

Immling Festival Hall, Halfing, Germany

Scene 3 from the opera "Nabucco", photo 1

Scene 1 from the opera "Nabucco", photo 2

Scene 2 from the opera "Nabucco", photo 3

Scene 4 from the opera "Nabucco", photo 4

Scene 5 from the opera "Nabucco", photo 5

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6 PM

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Important Info

Festival: Immling Festival 2023

Type: Opera

City: Halfing, Germany

Starts at: 18:00

Acts: 4

Intervals: 1

Duration: 2h 15min

Sung in: Italian

Titles in: German

Ticket delivery: E-Tickets

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

Can I choose my seats?

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Festival

Immling Festival 2023

The festival on the Gutshof near Halfing is a must, especially for opera lovers. Since the first event by Ludwig Baumann, the riding hall has now been converted into an air-conditioned festival hall with the most comfortable seating. The ensemble consists of international singers with several own opera productions. The events, which now have cult status, range from studio concerts to youth operas.

Overview

With Nabucco and thus a story that originally comes from the Old Testament, Verdi achieved his breakthrough as an opera composer and also the starting signal for “his galley years”.

“You can say I haven't had an hour's rest since Nabucco. Sixteen galley years!" so Verdi in 1858 in a letter to his girlfriend Clarina Maffei.

The Babylonian king Nabucco succeeds in winning the battle against the Israelites and in enslaving the Hebrew people. Among them, however, is one he loves: his daughter Fenena, who in turn has a close relationship with the Jewish prince Ismaele. She is not alone in her love for this man: her sister Abigaille also desires him and is almost mad with jealousy.

When she then learns that she is not really the daughter of a king and future heir to the throne, but the illegitimate child and daughter of a slave, her thirst for revenge grows immeasurably.

King Nabucco is consumed by power and in his delusions of grandeur proclaims himself a god. Abigaille knows how to take advantage of her father's mental state: hoping to regain royal power, she forces him to have all the Hebrews executed.
So also that of his daughter Fenena, who has converted in her relationship with Ismaele and would be the rightful heir to the throne.

History

Premiere of this production: 09 March 1842, Teatro alla Scala, Milan

Nabucco (short for Nabucodonosor) is an Italian-language opera in four acts composed in 1841 by Giuseppe Verdi to an Italian libretto by Temistocle Solera. The libretto is based on biblical books of Jeremiah and Daniel and the 1836 play by Auguste Anicet-Bourgeois and Francis Cornu, although Antonio Cortese's ballet adaptation of the play (with its necessary simplifications), given at La Scala in 1836, was a more important source for Solera than the play itself.

Synopsis

Time: 587 BC
Place: Jerusalem and Babylon

Act 1: Jerusalem

'Thus saith the Lord, Behold, I shall deliver this city into the hand of the King of Babylon, and he will burn it with fire' (Jeremiah 21:10)
Interior of the Temple of Solomon

The Israelites pray as the Babylonian army advances on their city ("Gli arredi festivi giù cadano infranti" / "Throw down and destroy all festive decorations"). The High Priest Zaccaria tells the people not to despair but to trust in God ("D'Egitto là su i lidi" / "On the shores of Egypt He saved the life of Moses"). The presence of a hostage, Fenena, younger daughter of Nabucco, King of Babylon, may yet secure peace ("Come notte a sol fulgente" / "Like darkness before the sun"). Zaccaria entrusts Fenena to Ismaele, nephew of the King of Jerusalem and a former envoy to Babylon. Left alone, Fenena and Ismaele recall how they fell in love when Ismaele was held prisoner by the Babylonians, and how Fenena helped him to escape to Israel. Nabucco's supposed elder daughter, Abigaille, enters the temple with Babylonian soldiers in disguise. She, too, loves Ismaele. Discovering the lovers, she threatens Ismaele: if he does not give up Fenena, Abigaille will accuse her of treason. If Ismaele returns Abigaille's love, however, Abigaille will petition Nabucco on the Israelites' behalf. Ismaele tells Abigaille that he cannot love her and she vows revenge. Nabucco enters with his warriors ("Viva Nabucco" / "Long live Nabucco"). Zaccaria defies him, threatening to kill Fenena if Nabucco attacks the temple. Ismaele intervenes to save Fenena, which removes any impediment from Nabucco destroying the temple. He orders this, while Zaccaria and the Israelites curse Ismaele as a traitor.

Act 2: The Impious One

'Behold, the whirlwind of the Lord goeth forth, it shall fall upon the head of the wicked' (Jeremiah 30:23)
Scene 1: Royal apartments in Babylon

Nabucco has appointed Fenena regent and guardian of the Israelite prisoners, while he continues the battle against the Israelites. Abigaille has discovered a document that proves she is not Nabucco's real daughter, but the daughter of slaves. She reflects bitterly on Nabucco's refusal to allow her to play a role in the war with the Israelites and recalls past happiness ("Anch'io dischiuso un giorno" / "I too once opened my heart to happiness"). The High Priest of Bel informs Abigaille that Fenena has released the Israelite captives. He plans for Abigaille to become ruler of Babylon, and with this intention has spread the rumour that Nabucco has died in battle. Abigaille determines to seize the throne ("Salgo già del trono aurato" / "I already ascend the golden throne").

Scene 2: A room in the palace

Zaccaria reads over the Tablets of Law ("Vieni, o Levita" / "Come, oh Levite!"), then goes to summon Fenena. A group of Levites accuse Ismaele of treachery. Zaccaria returns with Fenena and his sister Anna. Anna tells the Levites that Fenena has converted to Judaism, and urges them to forgive Ismaele. Abdallo, a soldier, announces the death of Nabucco and warns of the rebellion instigated by Abigaille. Abigaille enters with the High Priest of Bel and demands the crown from Fenena. Unexpectedly, Nabucco himself enters; pushing through the crowd, he seizes the crown and declares himself not only king of the Babylonians but also their god. The high priest Zaccaria curses him and warns of divine vengeance; an incensed Nabucco in turn orders the death of the Israelites. Fenena reveals to him that she has embraced the Jewish religion and will share the Israelites' fate. Nabucco is furious and repeats his conviction that he is now divine ("Non son più re, son dio" / "I am no longer King! I am God!"). There is a crash of thunder and Nabucco promptly loses his senses. The crown falls from his head and is picked up by Abigaille, who pronounces herself ruler of the Babylonians.

Act 3: The Prophecy

'Therefore the wild beasts of the desert with the wild beasts of the islands shall dwell there, and the owls shall dwell therein'. (Jeremiah 50:39)
Scene 1: The Hanging Gardens of Babylon

Abigaille is now Queen of Babylon. The High Priest of Bel presents her with the death warrant for the Israelites, as well as for Fenena. Nabucco, still insane, tries to reclaim the throne without success. Though his consent to the death warrant is no longer necessary, Abigaille tricks him into signing it. When Nabucco learns that he has consigned his (true) daughter to death, he is overcome with grief and anger. He tells Abigaille that he is not in fact her father and searches for the document evidencing her true origins as a slave. Abigaille mocks him, produces the document and tears it up. Realizing his powerlessness, Nabucco pleads for Fenena's life ("Oh di qual onta aggravasi questo mio crin canuto" / "Oh, what shame must my old head suffer"). Abigaille is unmoved and orders Nabucco to leave her.

Scene 2: The banks of the River Euphrates

The Israelites long for their homeland ("Va, pensiero, sull'ali dorate" / "Fly, thought, on golden wings"). The high priest Zaccaria once again exhorts them to have faith: God will destroy Babylon. The Israelites are inspired by his words.

Act 4: The Broken Idol

'Bel is confounded, Merodach is broken to pieces; her idols are confounded, her images are broken in pieces.' (Jeremiah 50:2)
Scene 1: The royal apartments, Babylon

Nabucco awakens, still confused and raving. He sees Fenena in chains being taken to her death. In despair, he prays to the God of the Hebrews. He asks for forgiveness, and promises to rebuild the temple in Jerusalem and convert to Judaism if his prayers are answered ("Dio di Giuda" / "God of Judah!"). Miraculously, his strength and reason are immediately restored. Abdallo and loyal soldiers enter to release him. Nabucco resolves to rescue Fenena and the Israelites as well as to punish the traitors.

Scene 2: The Hanging Gardens of Babylon

Fenena and the Israelite prisoners are led in to be sacrificed ("Va! La palma del martirio" / "Go, win the palm of martyrdom"). Fenena serenely prepares for death. Nabucco rushes in with Abdallo and other soldiers. He declares that he will rebuild the Temple of Jerusalem and worship the God of the Israelites, ordering the destruction of the idol of Bel. At his word, the idol falls to the ground of its own accord and shatters into pieces. Nabucco tells the Israelites that they are now free and all join in praise of Jehovah. Abigaille enters, supported by soldiers. She has poisoned herself. She begs forgiveness of Fenena, prays for God's mercy and dies. Zaccaria proclaims Nabucco the servant of God and king of kings.

Venue Info

Immling Festival Hall - Halfing
Immling

Located on the idyllic grounds of Gut Immling near Halfing in the Chiemgau region of Upper Bavaria, the Festspielhaus Immling is the heart of the Immling Festival and one of Germany’s most distinctive summer opera venues. Surrounded by green meadows, forests, and the Alpine foothills, the theatre offers a rare combination of professional opera production standards and the intimate atmosphere of a countryside festival.

The venue has a unique history. What began in 1997 as a temporary solution in a riding hall developed into a fully equipped festival theatre specially adapted for opera performances. Over the years, the former equestrian space was transformed into a modern, climate-controlled Festspielhaus with carefully designed acoustics and comfortable seating, allowing audiences to enjoy full-scale opera productions in an exceptional rural setting.

As the main stage of the Immling Festival, the Festspielhaus presents ambitious productions of opera, operetta, and musical theatre. Each summer, the theatre welcomes international singers, conductors, and creative teams for newly staged productions of works from the great operatic repertoire. The programme traditionally combines beloved masterpieces with innovative interpretations, making the festival an important destination for opera lovers in southern Germany.

The intimate scale of the Festspielhaus creates a particularly engaging connection between performers and audiences. Unlike large metropolitan opera houses, the venue allows spectators to experience dramatic storytelling, vocal artistry, and orchestral colour at close range, while benefiting from professional stage technology and festival-level production quality.

The setting of Gut Immling adds a special dimension to every visit. Before and after performances, guests can enjoy the peaceful festival grounds, the surrounding Chiemgau landscape, and the welcoming atmosphere of the estate, where music becomes part of a complete cultural experience rather than simply an evening performance.

Combining the intimacy of a summer festival with the artistic standards of a professional opera house, the Festspielhaus Immling offers a unique experience where world-class voices, captivating productions, and the natural beauty of Bavaria come together in perfect harmony.