Kabukiza Theatre tickets 21 December 2025 - December Program at the Kabukiza Theatre | GoComGo.com

December Program at the Kabukiza Theatre

Kabukiza Theatre, Tokyo, Japan
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Select date and time
11 AM 2:45 PM 6:10 PM

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Important Info
Type: Show
City: Tokyo, Japan
Starts at: 14:45
Acts: 3
Intervals: 3

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Overview

The December Program at the Kabukiza is divided into 3 parts so that one can enjoy kabuki in a more casual and accessible way.

In Part 1, the latest installment of Cho Kabuki, a collaborative production between the virtual singer Hatsune Miku and traditional kabuki, will be performed, commemorating its 10th anniversary. Please look forward to the work in which 400 years of history fuse with modern technology.
In Part 2, you will see a history play adapted from a Kōdan story concerning a man who plotted to overthrow the shogunate, as well as a sentimental tale filled with laughter and tears adapted from a popular Rakugo story portraying conjugal affection in Edo.
In Part 3, you will see a popular domestic play depicting the separation and reunion of a beautiful couple, as well as a kabuki play that was first performed in August this year to great critical acclaim, which is based on a world-famous legend.

Part 1: 11:00 AM

Cho Kabuki Powered by IOWN
SEKAI NO HANA MUSUBU KOTONOHA
['Words connecting Flowers in the World']

STORY :
After the Jōhei and Tengyō Rebellion (935-941), the thief Kidōmaru encounters the ghost of Fujiwara no Sumitomo and learns that he is Sumitomo's son Motozumi. Those who side with him are monsters, such as the high priest Chiun and the hag Ibaraki. Having seen from the shadows, Hakamadare no Yasusuke takes away a scroll in which techniques used for destroying monsters are written, and goes away.
The Minamoto brothers Yorimitsu and Yorinobu see female dancers perform at the feast in Shinsen'en and Yorimitsu falls in love with the dancer with green hair. She is, in reality, Nanaayadayū from the Kujō pleasure quarters, so he visits that place to see her.
At the same time, Kidōmaru breaks into the treasury of the Imperial Palace and steals the arrows Suiha and Hyōha. Yorinobu stands in Kidōmaru's way, but is defeated again. In the presence of the dying Yorinobu, his fiancée Princess Hatsune appears. Yorinobu tells her the situation and breathes his last, but Princess Hatsune is, in reality, … In the meantime, Hakamadare, with Rashōmon as his base of operation, encounters Lady Sayokaze, the wife of Watanabe no Tsuna, and acts sympathetically.
As the season proceeds, Yorimitsu becomes infatuated with Nanaayadayū and continues to frequent the pleasure quarters. His loyal retainer Hirai Yasumasa comes to remonstrate with him. As Yorimitsu is angry about Yasumasa's behaviour, the proprietress of the Izumiya mediates between them. Nanaayadayū is, in reality, Masakado's daughter Princess Nanaaya, and Hakamadare and the high priest Chiun act in unexpected ways.
What will become of Yorimitsu, his retainer and Hakamadare, as well as Princess Nanaaya and Kidōmaru who go against them?
Commemorating the 10th anniversary of Cho Kabuki, we have retained ideas and direction from previous works to make up a new story. Please enjoy a masterpiece characteristic of Cho Kabuki, in which stylish beauty and the charms of Kabuki fuse with the latest technology, such as the shadow cloning technique using technology by NTT.

Part 2: 02:45 PM

MARUBASHI CHŪYA
['Marubashi Chūya']

STORY :
This is a classic play by Kawatake Mokuami written in the Meiji Period after the ban on kabuki depicting historical events had been lifted. This is the story of Marubashi Chūya, who plotted to overthrow the Edo government. He approaches Edo Castle pretending to be drunk, but has actually come to measure the depth of the moat. Unfortunately, he is observed by the Lord of Izu, one of the top officials of the shogunate. Later, Chūya has a dispute with his wife's father that eventually leads to the failure of his revolt.

SHIBAHAMA NO KAWAZAIFU
['The Leather Purse of Shibahama']

STORY :
This is a play adapted from a Rakugo story. A man who is a good-for-nothing drunkard picks up a leather purse full of coins while out fishing. He happily takes it home and celebrates by holding a big drinking party. The next morning, he asks for his purse, but his wife insists that it was all a dream. Feeling ashamed of himself, he changes his attitude and starts working hard. Three years later when the couple is living comfortably, the wife admits that she must apologize for something...

Part 3: 06:10 PM

YOWA NASAKE UKINA NO YOKOGUSHI
Genjidana
['Scar faced Yosaburō']

STORY :
At the seaside, Yosaburō, the spoilt son of a wealthy family, meets Otomi, the mistress of a gang boss, and falls in love with her at first sight. The affair is soon found out by the gang boss and Yosaburō gets beaten up, suffering wounds all over his body. Thinking that Yosaburō died, Otomi throws herself into the sea. 3 years later, Yosaburō, who has become a petty thief, and his mentor Yasu, nicknamed 'the Bat', go to blackmail the mistress of a wealthy merchant, only to discover that it is Otomi, who also survived. In one of the most famous scenes in kabuki, Yosaburō pours out his resentment against Otomi and bemoans the fate that has destroyed his life. Then Otomi learns the secret about her situation...

HI NO TORI
['The Firebird']

STORY :
In the land ruled by the Great King, there has been endless bloodshed as he has expanded his territory through repeated invasions of many nations. Now aged and suffering from illness, the Great King seeks to possess the Firebird, a bird of eternal power, in hopes of gaining everlasting life. The two princes, Yamahiko and Umihiko, are ordered to capture the Firebird, and they embark on a journey to a distant land where the Firebird has been said to dwell since ancient times. In a garden where mysterious, shining golden apple trees grow thick, the two brothers encounter a figure who introduces himself as Iwagane… Hi no Tori (The Firebird), a story that has inspired ballet and manga, now comes to life as a brand-new Kabuki production. Please look forward to a grand and mystical world unfolding before your eyes.

A kabuki program is usually made up of several different plays and dances, but at the Kabukiza Theatre, 'Single Act Seats' are available so that you can watch just one of the acts.

Tickets are sold separately for each performance. They are valid only for the performance starting at the listed time.

Single Act Tickets will be sold on the day of the performance (they cannot be reserved or purchased in advance).

Tea will not be offered at the Box Seats. Please refrain from eating at seats as well.

Venue Info

Kabukiza Theatre - Tokyo
Location   4 Chome-12-15 Ginza, Chuo City

Kabuki-za in Ginza is the principal theater in Tokyo for the traditional kabuki drama form.

The Kabuki-za was originally opened by a Meiji era journalist, Fukuchi Gen'ichirō. Fukuchi wrote kabuki dramas in which Ichikawa Danjūrō IX and others starred; upon Danjūrō's death in 1903, Fukuchi retired from the management of the theater. 

The original Kabuki-za was a wooden structure, built in 1889 on land which had been either the Tokyo residence of the Hosokawa clan of Kumamoto, or that of Matsudaira clan of Izu.

The building was destroyed on October 30, 1921, by an electrical fire. The reconstruction, which commenced in 1922, was designed to "be fireproof, yet carry traditional Japanese architectural styles", while using Western building materials and lighting equipment. Reconstruction had not been completed when it again burned down during the 1923 Great Kantō earthquake. Rebuilding was finally completed in 1924.

The theater was destroyed once again by Allied bombing during World War II. It was restored in 1950 preserving the style of 1924 reconstruction, and was until recently one of Tokyo's more dramatic and traditional buildings.

The 1950 structure was demolished in the spring of 2010, and rebuilt over the ensuing three years. Reasons cited for the reconstruction include concerns over the building's ability to survive earthquakes, as well as accessibility issues. A series of farewell performances, entitled Kabuki-za Sayonara Kōen 
 were held from January through April 2010, after which kabuki performances took place at the nearby Shinbashi Enbujō and elsewhere until the opening of the new theatre complex, which took place on March 28, 2013.

The style in 1924 was in a baroque Japanese revivalist style, meant to evoke the architectural details of Japanese castles, as well as temples of pre-Edo period. This style was kept after the post-war reconstruction and again after the 2013 reconstruction.

Inside, with the latest reconstruction the theatre was outfitted with four new front curtains called doncho. These are by renowned Japanese artists in the Nihonga style and reflect the different seasons.

Performances are exclusively run by Shochiku, in which the Kabuki-za Theatrical Corporation is the largest shareholder. They are nearly every day, and tickets are sold for individual acts as well as for each play in its entirety. As is the case for most kabuki venues, programs are organized monthly: each month there is a given set of plays and dances that make up the afternoon performance, and a different set comprising the evening show. These are repeated on a nearly daily schedule for three to four weeks, with the new month bringing a new program.

Important Info
Type: Show
City: Tokyo, Japan
Starts at: 14:45
Acts: 3
Intervals: 3
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