Palau de la Música Catalana tickets 23 August 2026 - La Traviata | GoComGo.com

La Traviata

Palau de la Música Catalana, Concert Hall, Barcelona, Spain
All photos (7)
Select date and time
6 PM
From
US$ 91

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Important Info
Type: Opera
City: Barcelona, Spain
Starts at: 18:00
Acts: 2
Intervals: 1
Duration: 2h 20min
Titles in: Catalan,Spanish,English

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Cast
Performers
Conductor: Jofre Bardolet
Choir: Choir NovAria
Orchestra: Orquestra NovAria Filharmonia
Creators
Composer: Giuseppe Verdi
Author: Alexandre Dumas (fils)
Director: Ben Aisit
Librettist: Francesco Maria Piave
Overview

Two-hour staged version with a 15-minute intermission. Symphony orchestra, solo singers, choir, ballet, costumes, unique lighting suited to the special characteristics of the Palau de la Música Catalana... More than 60 artists are on stage!

LA TRAVIATA, the great drama of the great master Giuseppe Verdi, based on the novel The Lady of the Camellias by Alexandre Dumas son, is one of the most performed and acclaimed operas daily around the world, including fragments as brilliant and well-known as the Brindisi or the spectacular aria-cabaletta of its protagonist Sempre Libera, or the emotional finale Addio del passato.

History
Premiere of this production: 06 March 1853, Teatro La Fenice, Venice

La traviata is an opera in three acts by Giuseppe Verdi set to an Italian libretto by Francesco Maria Piave. It is based on La Dame aux camélias (1852), a play adapted from the novel by Alexandre Dumas fils. The opera was originally titled Violetta, after the main character. It was first performed on 6 March 1853 at the La Fenice opera house in Venice.

Synopsis

Set in and around Paris in about 1850.

Act I

Violetta Valéry, a Parisian courtesan, greets the guests at her salon. Among them are Flora Bervoix, the Marchese D’Obigny, Baron Douphol and Gastone, who introduces Violetta to a new admirer of hers, Alfredo Germont. The young Germont, who has been admiring her from afar, joins her in a drinking song. An orchestra strikes up in an adjacent room, inviting the guests to dance. As the guests make their way to the ballroom, Violetta, who is suffering from consumption, feels faint; she therefore sends the guests on ahead and retires to her boudoir to recover. Alfredo enters and, realising that they are alone, admits his love for her. She replies that love means nothing to her. She
is, however, touched by the young man’s sincerity and promises to meet him the following day.
When the guests have departed, she asks herself whether Alfredo is the man she could love. Despite
the strains of Alfredo’s love song drifting in from outside, she decides she prefers her freedom.

Act II

scene 1
A few months later: Alfredo and Violetta have set up house together in the country, outside Paris. Alfredo says how happy they are, but when Violetta’s maid Annina lets on that Violetta has been selling her belongings to pay for the house, he hastens into town to raise the money himself. Violetta comes in search of him and discovers an invitation from her friend Flora to a soirée that very night. Violetta has no intention of returning to her former life, but she is forced to reconsider
on encountering Alfredo’s father. He is very taken with Violetta and her civilised manners but orders her to renounce Alfredo: his son’s scandalous liaison with Violetta is threatening his daughter’s forthcoming marriage. Violetta considers his demand unreasonable, but before long Germont succeeds in persuading her. Alone and desolate, Violetta sends a reply to Flora accepting her invitation and sits down to write a farewell letter to Alfredo. His return takes her by surprise, and she can barely restrain herself as she passionately reminds him how much she loves him before
rushing out. As the maid brings him Violetta’s farewell letter, Germont returns to console his son and reminds him of life in their family home in Provence. Alfredo spots Flora’s invitation and suspects that Violetta has left him for another man. In a rage, he decides to confront her at the soirée.

scene 2
At the soirée, Flora hears from the Marchese that Violetta and Alfredo have parted. Flora asks the guests to make way for a visiting troupe of performing gypsies. They are followed by matadors and a song about Piquillo and his sweetheart. Alfredo rushes in and delivers some bitter comments about love and gambling. Violetta appears on the arm of Baron Douphol, who challenges Alfredo to a game of cards and loses a small fortune to him. As the guests go in to supper, Violetta asks to have a word with Alfredo in private. She is afraid the Baron will be enraged by his loss and urges Alfredo to leave. Alfredo misunderstands her and orders her to admit she loves the Baron. Disappointed by Alfredo’s reaction, Violetta lies and confesses that yes, she does. Alfredo calls the other guests to gather round in order to denounce his former beloved in public and throws the money he has won at her feet. Germont, arriving at that very moment, expresses his disapproval of his son’s behaviour. The guests likewise rebuke Alfredo and Douphol challenges him to a duel.

Act III

Violetta’s bedroom, six months later. Dr Grenvil tells Annina that her mistress has not long to live –
the consumption has taken its toll. Alone, Violetta rereads a letter from Germont saying that the Baron was only slightly wounded in his duel with Alfredo, that Alfredo has heard the truth and is
coming to beg her pardon. But Violetta realises it is too late. It is carnival time in Paris and, the sounds of the revellers having passed, Annina rushes in to announce Alfredo. The lovers ecstatically plan to leave Paris. Germont enters with the doctor just as Violetta rises from her bed with the last of her strength. Feeling a sudden rush of life, she sways and falls dead at her lover’s feet.

Venue Info

Palau de la Música Catalana - Barcelona
Location   C / Palau de la Música, 4-6

One of the world's most magnificent concert halls, the Palau de la Música Catalana is a masterpiece of Catalan Modernisme and one of Barcelona's most iconic architectural landmarks. Designed by the celebrated architect Lluís Domènech i Montaner and inaugurated in 1908, the Palau was built as the home of the Orfeó Català, reflecting the flourishing cultural identity of Catalonia at the turn of the 20th century.

Recognized as a UNESCO World Heritage Site since 1997, the Palau is renowned for its extraordinary architecture, where sculpture, stained glass, mosaics, ceramics, and wrought iron are seamlessly integrated into a vibrant artistic whole. Every corner of the building is richly decorated with floral motifs, allegorical figures, and references to music and Catalan culture, making it one of the finest examples of Art Nouveau architecture anywhere in the world.

The concert hall itself is among the most spectacular in Europe. Bathed in natural light, it is crowned by an extraordinary stained-glass skylight in the shape of an inverted dome, creating a luminous atmosphere unlike that of any other performance venue. The richly ornamented stage is framed by sculptural groups representing classical and folk music traditions, while the hall's warm acoustics make it equally suited to symphonic concerts, chamber music, choral performances, opera, jazz, and contemporary productions.

Throughout its history, the Palau de la Música Catalana has welcomed many of the world's greatest orchestras, conductors, soloists, and ensembles. Today, it remains one of Spain's leading concert venues, presenting an exceptionally diverse artistic programme that ranges from classical masterpieces and opera to flamenco, world music, jazz, and popular music.

Beyond its role as a concert hall, the Palau is a symbol of Barcelona's artistic and cultural heritage. Guided tours allow visitors to admire its breathtaking interiors, while its central location makes it one of the city's most visited architectural treasures.

A dazzling fusion of architecture, art, and music, the Palau de la Música Catalana offers an unforgettable experience where world-class performances are illuminated by one of the most beautiful concert halls ever created.

Important Info
Type: Opera
City: Barcelona, Spain
Starts at: 18:00
Acts: 2
Intervals: 1
Duration: 2h 20min
Titles in: Catalan,Spanish,English
Top of page