A former movie house hosting everything from Native American dancers to Eliot Feld's ballet company.
PremiereStreams. Third Person Point of View. In Session.
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E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.
You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).
E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.
You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).
Streams by Alvin Ailey is a soulful and expressive dance work that reflects emotional flow, resilience, and human connection. Through fluid movement and musicality, it captures the feeling of energy constantly in motion.
Streams by Alvin Ailey is a lyrical exploration of emotion, strength, and continuity expressed through the body. The choreography moves like flowing water, shifting between softness and intensity while emphasizing unity and individual voice. It reflects Ailey’s signature ability to translate inner life and collective experience into powerful, moving dance.
Third Person Point of View by choreographer My’Kal Stromile explores how identity and experience shift when seen through the eyes of others. The work invites reflection on perception, distance, and self-awareness.
Third Person Point of View by choreographer My’Kal Stromile is a movement-based exploration of observing oneself from the outside. Through layered choreography and intentional perspective, the piece examines how external viewpoints shape personal understanding and identity. It creates a thoughtful dialogue between presence, reflection, and perception.
In Session by choreographer Rena Butler is a powerful exploration of presence, power, and vulnerability through movement. The work feels both intimate and confrontational, drawing the audience into a shared space of reflection.
In Session by choreographer Rena Butler uses dynamic, intentional movement to examine states of awareness, control, and emotional exposure. The choreography creates a charged atmosphere where stillness and intensity coexist, mirroring moments of confrontation and release. Through this layered physical language, the work invites viewers to witness and reflect on lived experience and inner dialogue.