Natalia Osipova Tickets | 2025-2026 Tour & Event Dates | GoComGo.com

Natalia Osipova Tickets

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Modern Ballet
10 Nov 2025, Mon
Last-Minute Tickets Only from 144 US$

In high demand – less than 15 of 350 tickets left!

Modern Ballet
11 Nov 2025, Tue
Last-Minute Tickets Only from 127 US$

Less than 12 of 350 tickets left!

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Modern Ballet
13 Nov 2025, Thu
Last-Minute Tickets Only from 127 US$

Less than 20 of 350 tickets left!

Modern Ballet
14 Nov 2025, Fri
Last-Minute Tickets Only from 127 US$

In high demand – less than 15 of 350 tickets left!

Latest booking: 1 hour ago

Modern Ballet
15 Nov 2025, Sat
Last-Minute Tickets Only from 127 US$

In high demand – less than 16 of 350 tickets left!

Booked 3 times today

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About

Russian dancer Natalia Osipova is a Principal of The Royal Ballet. She joined the Company as a Principal in autumn 2013, after appearing as a Guest Artist the previous Season as Odette/Odile (Swan Lake) with Carlos Acosta. Her roles with the Company include Giselle, Kitri (Don Quixote), Sugar Plum Fairy (The Nutcracker), Princess Aurora (The Sleeping Beauty), Lise (La Fille mal gardée), Titania (The Dream), Marguerite (Marguerite and Armand), Juliet, Tatiana (Onegin), Manon, Sylvia, Mary Vetsera (Mayerling), Natalia Petrovna (A Month in the Country), Anastasia, Gamzatti and Nikiya (La Bayadère) and roles in RhapsodySerenadeDGV: Danse à grande vitesse and Tchaikovsky Pas de deux. She has created numerous roles – in StraplessWoolf WorksTetractysConnectomeMedusa and works by Possokhov and Ratmansky, among others.

Osipova was born in Moscow and began dancing at the age of five. Aged eight she joined the Mikhail Lavrosky Ballet School. From 1995 to 2004 she trained at the Moscow State Academy of Choreography and on graduating entered the corps of the Bolshoi Ballet, where she was promoted to principal in 2010. Her repertory there included Kitri (Don Quixote), Giselle, Nikiya and Gamzatti (La Bayadère), La Sylphide, Esmerelda, Princess Aurora and Swanilda (Coppélia). In 2011 she left the Bolshoi to join the Mikhailovsky Ballet as a principal.

Osipova has appeared as a guest artist with companies around the world. In March 2012 she became a principal of American Ballet Theatre, where she created the title role in Alexei Ratmansky’s The Firebird. Her awards include Golden Masks for her performances in In the Upper Room (2008) and La Sylphide (2009), Critics’ Circle National Dance Awards (Best Female Dancer, 2007, 2010 and 2014), Positano Dance Awards (Best Female Dancer, 2008 and 2011) and a Benois de la Danse Award (Best Female Dancer, 2008).

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