Teatro Regio di Parma tickets 3 October 2026 - Premiere Nabucodonosor | GoComGo.com

Premiere
Nabucodonosor

Teatro Regio di Parma, Parma, Italy
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8 PM
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US$ 84

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Important Info
Type: Opera
City: Parma, Italy
Starts at: 20:00
Acts: 4
Sung in: Italian
Titles in: Italian,English

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Cast
Performers
Conductor: Francesco Lanzillotta
Baritone: Ariunbaatar Ganbaatar (Nabucco)
Tenor: Ben Reisinger (Ismaele)
Choir: Coro del Teatro Regio di Parma
Mezzo-Soprano: Laura Verrecchia (Fenena)
Soprano: Lidia Fridman (Abigaille)
Bass: Michele Pertusi (Zaccaria)
Orchestra: Orchestra of the Teatro Comunale Di Bologna
Creators
Composer: Giuseppe Verdi
Composer: Temistocle Solera
Director: Pier Luigi Pizzi
Festival

Festival Verdi 2026

The Festival Verdi 2026 invites you into the emotional and musical universe of Giuseppe Verdi in the very region where his artistic legacy was born. From 1 to October 25, 2026, Parma and Busseto become the center of the international opera world, welcoming audiences to a month of extraordinary performances dedicated entirely to Verdi’s music.

Overview

One of Giuseppe Verdi’s most powerful early masterpieces returns to the stage as Nabucodonosor becomes a centerpiece of the Festival Verdi 2026 in Parma. Presented at the magnificent Teatro Regio di Parma, this monumental opera explores themes of exile, faith, freedom, and redemption with extraordinary dramatic force.

Known internationally today as Nabucco, the opera was the work that established Giuseppe Verdi as one of Italy’s leading composers. Its famous chorus “Va, pensiero” became an enduring symbol of hope and national identity, resonating far beyond the world of opera.

At the Festival Verdi 2026, Nabucodonosor is presented in a new production by legendary Italian director and designer Pier Luigi Pizzi, whose refined visual style brings timeless elegance and theatrical depth to Verdi’s biblical drama. Conducted by Francesco Lanzillotta, the production features an outstanding cast including Ariunbaatar Ganbaatar in the title role, Lidia Fridman as Abigaille, and Michele Pertusi as Zaccaria.

Set between ancient Jerusalem and Babylon, the opera unfolds on a grand scale, blending monumental choral scenes with deeply personal emotional conflicts. Verdi’s music moves from explosive dramatic intensity to moments of lyrical spirituality, creating an experience that feels both intimate and epic.

Within the elegant atmosphere of Teatro Regio di Parma — one of the spiritual homes of Verdi’s music — the opera gains particular authenticity and emotional resonance. Festival Verdi itself is internationally celebrated for its dedication to artistic excellence and historically rich interpretations of the composer’s works.

Grand, passionate, and emotionally overwhelming, Nabucodonosor at Festival Verdi 2026 offers a rare opportunity to experience Verdi’s revolutionary masterpiece in the very heart of Italian opera culture.

New production Teatro Regio di Parma in co-production with Teatro Comunale di Bologna, Teatro Carlo Felice di Genova

History
Premiere of this production: 09 March 1842, Teatro alla Scala, Milan

Nabucco (short for Nabucodonosor) is an Italian-language opera in four acts composed in 1841 by Giuseppe Verdi to an Italian libretto by Temistocle Solera. The libretto is based on biblical books of Jeremiah and Daniel and the 1836 play by Auguste Anicet-Bourgeois and Francis Cornu, although Antonio Cortese's ballet adaptation of the play (with its necessary simplifications), given at La Scala in 1836, was a more important source for Solera than the play itself.

Synopsis

Time: 587 BC
Place: Jerusalem and Babylon

Act 1: Jerusalem

'Thus saith the Lord, Behold, I shall deliver this city into the hand of the King of Babylon, and he will burn it with fire' (Jeremiah 21:10)
Interior of the Temple of Solomon

The Israelites pray as the Babylonian army advances on their city ("Gli arredi festivi giù cadano infranti" / "Throw down and destroy all festive decorations"). The High Priest Zaccaria tells the people not to despair but to trust in God ("D'Egitto là su i lidi" / "On the shores of Egypt He saved the life of Moses"). The presence of a hostage, Fenena, younger daughter of Nabucco, King of Babylon, may yet secure peace ("Come notte a sol fulgente" / "Like darkness before the sun"). Zaccaria entrusts Fenena to Ismaele, nephew of the King of Jerusalem and a former envoy to Babylon. Left alone, Fenena and Ismaele recall how they fell in love when Ismaele was held prisoner by the Babylonians, and how Fenena helped him to escape to Israel. Nabucco's supposed elder daughter, Abigaille, enters the temple with Babylonian soldiers in disguise. She, too, loves Ismaele. Discovering the lovers, she threatens Ismaele: if he does not give up Fenena, Abigaille will accuse her of treason. If Ismaele returns Abigaille's love, however, Abigaille will petition Nabucco on the Israelites' behalf. Ismaele tells Abigaille that he cannot love her and she vows revenge. Nabucco enters with his warriors ("Viva Nabucco" / "Long live Nabucco"). Zaccaria defies him, threatening to kill Fenena if Nabucco attacks the temple. Ismaele intervenes to save Fenena, which removes any impediment from Nabucco destroying the temple. He orders this, while Zaccaria and the Israelites curse Ismaele as a traitor.

Act 2: The Impious One

'Behold, the whirlwind of the Lord goeth forth, it shall fall upon the head of the wicked' (Jeremiah 30:23)
Scene 1: Royal apartments in Babylon

Nabucco has appointed Fenena regent and guardian of the Israelite prisoners, while he continues the battle against the Israelites. Abigaille has discovered a document that proves she is not Nabucco's real daughter, but the daughter of slaves. She reflects bitterly on Nabucco's refusal to allow her to play a role in the war with the Israelites and recalls past happiness ("Anch'io dischiuso un giorno" / "I too once opened my heart to happiness"). The High Priest of Bel informs Abigaille that Fenena has released the Israelite captives. He plans for Abigaille to become ruler of Babylon, and with this intention has spread the rumour that Nabucco has died in battle. Abigaille determines to seize the throne ("Salgo già del trono aurato" / "I already ascend the golden throne").

Scene 2: A room in the palace

Zaccaria reads over the Tablets of Law ("Vieni, o Levita" / "Come, oh Levite!"), then goes to summon Fenena. A group of Levites accuse Ismaele of treachery. Zaccaria returns with Fenena and his sister Anna. Anna tells the Levites that Fenena has converted to Judaism, and urges them to forgive Ismaele. Abdallo, a soldier, announces the death of Nabucco and warns of the rebellion instigated by Abigaille. Abigaille enters with the High Priest of Bel and demands the crown from Fenena. Unexpectedly, Nabucco himself enters; pushing through the crowd, he seizes the crown and declares himself not only king of the Babylonians but also their god. The high priest Zaccaria curses him and warns of divine vengeance; an incensed Nabucco in turn orders the death of the Israelites. Fenena reveals to him that she has embraced the Jewish religion and will share the Israelites' fate. Nabucco is furious and repeats his conviction that he is now divine ("Non son più re, son dio" / "I am no longer King! I am God!"). There is a crash of thunder and Nabucco promptly loses his senses. The crown falls from his head and is picked up by Abigaille, who pronounces herself ruler of the Babylonians.

Act 3: The Prophecy

'Therefore the wild beasts of the desert with the wild beasts of the islands shall dwell there, and the owls shall dwell therein'. (Jeremiah 50:39)
Scene 1: The Hanging Gardens of Babylon

Abigaille is now Queen of Babylon. The High Priest of Bel presents her with the death warrant for the Israelites, as well as for Fenena. Nabucco, still insane, tries to reclaim the throne without success. Though his consent to the death warrant is no longer necessary, Abigaille tricks him into signing it. When Nabucco learns that he has consigned his (true) daughter to death, he is overcome with grief and anger. He tells Abigaille that he is not in fact her father and searches for the document evidencing her true origins as a slave. Abigaille mocks him, produces the document and tears it up. Realizing his powerlessness, Nabucco pleads for Fenena's life ("Oh di qual onta aggravasi questo mio crin canuto" / "Oh, what shame must my old head suffer"). Abigaille is unmoved and orders Nabucco to leave her.

Scene 2: The banks of the River Euphrates

The Israelites long for their homeland ("Va, pensiero, sull'ali dorate" / "Fly, thought, on golden wings"). The high priest Zaccaria once again exhorts them to have faith: God will destroy Babylon. The Israelites are inspired by his words.

Act 4: The Broken Idol

'Bel is confounded, Merodach is broken to pieces; her idols are confounded, her images are broken in pieces.' (Jeremiah 50:2)
Scene 1: The royal apartments, Babylon

Nabucco awakens, still confused and raving. He sees Fenena in chains being taken to her death. In despair, he prays to the God of the Hebrews. He asks for forgiveness, and promises to rebuild the temple in Jerusalem and convert to Judaism if his prayers are answered ("Dio di Giuda" / "God of Judah!"). Miraculously, his strength and reason are immediately restored. Abdallo and loyal soldiers enter to release him. Nabucco resolves to rescue Fenena and the Israelites as well as to punish the traitors.

Scene 2: The Hanging Gardens of Babylon

Fenena and the Israelite prisoners are led in to be sacrificed ("Va! La palma del martirio" / "Go, win the palm of martyrdom"). Fenena serenely prepares for death. Nabucco rushes in with Abdallo and other soldiers. He declares that he will rebuild the Temple of Jerusalem and worship the God of the Israelites, ordering the destruction of the idol of Bel. At his word, the idol falls to the ground of its own accord and shatters into pieces. Nabucco tells the Israelites that they are now free and all join in praise of Jehovah. Abigaille enters, supported by soldiers. She has poisoned herself. She begs forgiveness of Fenena, prays for God's mercy and dies. Zaccaria proclaims Nabucco the servant of God and king of kings.

Venue Info

Teatro Regio di Parma - Parma
Location   Str. G. Garibaldi, 16 / a

The Teatro Regio di Parma is one of Italy’s most prestigious opera houses and a true sanctuary for lovers of Italian musical tradition. Located in the elegant historic center of Parma, this magnificent theatre has been at the heart of the city’s cultural life since its inauguration in 1829.

Commissioned by Duchess Marie Louise of Austria, the theatre embodies the refinement and grandeur of classic Italian opera architecture. Its richly decorated interiors, velvet-lined boxes, gilded balconies, and luminous chandelier create an atmosphere of timeless elegance, transporting audiences into the golden age of opera.

Teatro Regio is internationally renowned for its deep connection to the music of Giuseppe Verdi, who was born in the nearby town of Busseto. The theatre is considered one of the spiritual homes of Verdi’s works and hosts the celebrated Festival Verdi, attracting opera enthusiasts from around the world each season. Performances here are known for their passion, artistic integrity, and exceptionally discerning audiences, whose love for opera forms part of the theatre’s unique identity.

Beyond Verdi, the theatre presents a rich program of opera, ballet, concerts, and special cultural events, featuring internationally acclaimed singers, conductors, directors, and orchestras. Despite its historic prestige, Teatro Regio retains an intimate atmosphere where every performance feels emotionally immediate and deeply immersive.

Located near Parma’s charming piazzas, cafés, and historic landmarks, the theatre is an essential destination for cultural travelers exploring northern Italy.

Elegant, historic, and profoundly connected to the soul of Italian opera, Teatro Regio di Parma offers an unforgettable experience where tradition, artistry, and passion come together on one extraordinary stage.

Important Info
Type: Opera
City: Parma, Italy
Starts at: 20:00
Acts: 4
Sung in: Italian
Titles in: Italian,English
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